Rasho Rashev Introduction Рашо Рашев Увод н и дум и Christina Angelova, Mark. Stefanovich Henrieta Todorova Христина Ангелова, Марк Стефанович Хенриета Тодорова Кратка биография



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particu-lar (tables IV.l, 2, VI.1-4). The spherical vessels with a mouth edge, which is thickened on the inside, are more rarely found, as well as the cy-lindrical-spherical and the S-shaped vessels (ta­bles IV.3, V.l-5, 7). Several types of dishes have been registered: conical, conical with plastic ap-pendages on the mouth or with a mouth edge, which is thickened on the inside (tables V.8-10). Some ofthe dishes have been put on a hollow conical stool (table VII 1.8). Two vessels have an interesting cylinclrical-conical shape, one of them being rather large (tables VIII.l, 3) and having a plastic appendage on the upper part ofthe handle.

ORNAMENTATION TECHNIQUE: The ornamentation has been executed using two colors:

- red or winc-red;

- black or brown.

Some larger areas, completely covered with red or wine-red paint, are confined by a black or a brown line, with a width of 2 inni to 7 mm. Some cases have been registered when black lines were laid on red paint (table V.8, 9). The outer side has been ornamented, but there are cases when there is an ornamentation on the in­ner side too, especially among the dishes (tables V.8, 9, VIII.5, 6).

MOTIFS: Line motifs ol horizontal, vertical, and oblique lines with a width of 1 cm to 5.5 cm prevail (tables V.l-5, 6, 7, 10, VI.l, 2, 4-10, 13, VII.1-3, Vili.2-8). There are also motifs of geometrie shapes like circle, ellipse, and senii-ellipse (tables IV.l, 2, V.ll, 12, VI.11, Villi), as well as larger motifs with an indefinite shape (table VII.4). Oftentimes, in such cases the ef-fect of a negative motif is achieved, most often a triangle (tables IV.3, V.4) or an ellipse (table VI.12).

COMPOSITION: The material, that has been analyzed, is rather fragmentée! and only in rare occasions deeper analyses cari be executed and conclusions сап be drawn about the compo­sition and its rules. The horizontal belts stress the mouth or the middle edge, vertical belts are présent on amphora handles, and oblique belts сап be found both in the area under the mouth

PRAE

'

Balgarczewo

Plagioclases

1.200




2. Sample

BG-Bal-P7

Fr. of sed. rock

0

%

3. Colour

redish

Fr. of mag. rocks

1.200

%

4. Fracture




Fr. of med. rocks

0.400

%

- internal

redish

Muscovite

0.800

%

- central

rcdish

Biolite

l .400

%

- external

rcdish

Heavy minerals

0.400

%

5. Finger grooved

Yes

Fr. of pottery

0

%

6. Enmel

absent

Carbonates

0

%

7. Painting

Brown

other

0 %

8. Gravering




11. Grain size comp.




- lines

Not

15-60 Lim

62

%

- points

Not

60-100 um

15.0




-zygzag

Not

100-200 pm

15.0

%

9. Temp, of firing

700° C

200-400 Lin

8,00 %

10. Mineral comp.




400-1000 ii:

0

%

Clay mss

61 %

1000-2000 un

0

%

Quart/.

23.9 %

> 2000 Lin

0

K-feldsparts

9.40 %

12. Frequency

no data

Table I. Mineralogical-granulometric analysis ofa fragment with a polychromatic ornamentation

from the village of Balgarchevo

and on the body.

Spécial attention should be paid to two frag­ments from kantharos-like vessels from Damyanit­za and Topolnitza (tables IV. 1, 2). They represent one and the same composition of semi-ellipses, locatcd on the two sides of the neck, and large cir-cular areas on the body. A vertical black line passes along the middle part of the hanclle and empha-sizes the symmetry of the composition.

A positive-négative composition has been registered on an S-shaped vessel (table IV.3). The area under the mouth is filled up with semi-ellipses, and the middle part of the body is covered with a wide belt. A négative motif-trian­gle results on the shoulders of the vessel.

A fragment, found in Bulgarchevo, is an exception of the above characterization (table VII.5). It is a part of a dish, which had been probably put on a amical stool. The vessel is made of beige, very carefully purified clay, but pores have appeared as a resuit of the firing. The engobe has almost eliminated this effect on the outer surface, but it is very well seen on the inner side. The composition is performed with red and brown paint. The red paint covers larg-er areas (belts), and the brown Unes pass over it. The inner side of the vessel has been painted densely in red as well.

The polychromatic ceramics has been regis­tered in some settlements in Northern Greece. In the valley of the Struma River, it is présent in Dimitra (French 1964, fig. 4.20-22, 5.1-3), Gal-Iepsos (Schachermeyr 1955, abb. 23.5, 10), and Acropotamos-Group C (Myloxas 1941, 559). In Dimitra it is characteristic of phase Dimi­tía III, along with graphite décoration, incised and painted in "black on red" style (Gram.meno.s 1991, 75, pin. 46, 460-462). The polychromatic ceramics is a rare phenomenon to the east, in the Dramska lowland. Only two fragments are known, which were found in the phase Sitagri 111 (Renfrew etal. 1986, 403, Fig. 12,9.2; 12,10.7). To the west of the Struma valley, it has been reg­istered in the valley of the Aliakmon River and in Servia (French 1970, 7, Ridley/Wardle 1979. 216). The polychromatic ceramics in the listed settlements has similar indicators (clay, shapes, motifs) to those of the ceramics from the val-



50

Malgozhata Grebska-Kulov

1. Site

Slrumsko

Plagioclases

0.600

%

2. Sample

BG-Stru-P16

Fr. of sed. rock

0 %

3. Colour

redish-brownwish

Fr. of mag. rocks

9.50

%

4. Fracture




Fr. of med. rocks

4.40

%

- internai

redish-brownwish

Muscovite

2.20 %

- central

redish-brownwish

Biotite

1.100

%

- external

redish-brownwish

Heavy minerais

0.3000 %

5. Finger grooved

Yes

Fr. of pottery

3.200

R. Enamel

absent

Carbonates

0 %

7. Painting

not paint.

other

1.60

%

8. Graveling




11 . Grain size comp.




- lines

Not

15-60 pr-n

31.0 %

- points

Not

60-100 nm

20.0 %

-zygzag

Not

100-200 um

33.0

%

9.Temp. of firing




200-400 Lin

8.00




10. Minerai comp.




400-1000 um

8.00

%

Clay mass

55%

1000-2000 um

0 %

Quartz

23.5 %

> 2000 Mm

0 %

K-feldsparts

2.20 %

12. Frequency

no data

Table II. Mineralogical-granulometric analysis of a fragment xvith a polychromatic ornamentation from the Strumsko neighborhood (Blagoevgrad)

1. Site

Topolnica

Plagioclasecs

0.800

%

2. Sample

BG-Top-12

Fr. of sed. rock

0

%

3. Colour

light

Fr. of mag. rocks

13.70 %

4. Fracture




Fr. of med. rocks

0 %

- internai

light

Muscovite

2.50

%

- central

light

Biotite

0.400

%

- external

light

Heavy minerais

0.2000

%

5. Finger grooved

Not

Fr. of pottery

0 %

6. Enamel

absent

Carbonates

0

%

7. Painting

Brown

other

4.30

8. Gravering




11. Grain size comp.




- lines

Not

15-60 Mm

58

%

- points

Not

60-100 [im

18.0

- zygzag

\ot

100-200 Mm

15.0 %

9.Temp. of firing

750°C

200-400 Mm

5.00 %

10. Minerai comp.




400-1000 Mm

2 0 %

Clay mass

39%

1000-2000 Mm

0 %

Quartz

35.2 %

> 20! 0 Mm

0

%

K-feldsparts

2.50%

12. Frequency

no data

Table III. Mineralogical-granulometric analysis of a fragment with a polychromatic ornamentation

from the village of Topolnica

Table IV.l. Topolnica; 2, 3 Damyanitza.

ley of middle Struma. Only one fragment from Dimitra stands out with its beige clay and bi-con-vex shape (French 1964, fig. 5.3).

There are two geographic regions where polychromatic ceramics is present: Thessalia and Asia Minor. The polychromatic ceram­ics in Thessalia appears during the phase Di-mini Tzangli and is especially popular during the Dimini Arapi phase (Hauptmann/Milojcic 1969, 29, 60-64). There are three types of poly­chromatic ceramics, which can be differenti­ated in the phase Dimini Tzangli, one of which is similar to ours - it has a red ornamentation, confined by a dark line on a light background (Démoule et al. 1988, 29-33). But the presence of a light background in the form of a white en­gobe is especially typical for Thessalia. In this respect, only a fragment from Bulgarchevo (ta­ble VII.5) exhibits greatest similarities.

Some fragments with a polychromatic or­namentation, which were found in Can Hasan, Asia Minor (French 1963, 39, fig. 6.13, 15, 7.1-2; French 1965, 121), are very similar to the ma­terial, we have presented. They offer the same color combinations: red belts, confined by black



Table V. 1-2, 4-5, 8-10. Damyanitza; 3, 6-7. Strumsko.

Table VI. 1. Balgarchevo; 2,4-5, 12. Damyanitza; 3, 6-11. Strumsko; 13. Topolnica.

52

Malgozhata Grebska-Kulov

Table VII. 1, 2, 5. Balgarchevo; 3-4. Damyanitza.

lines on a red or brown-red background, simi-lar motifs, as weil as shapes. The polychromatic ceramics appears in the phase Chan Hasan 2A.(, which is referred to the middle Chalkolith and continues to exist tili the end of this phase. It is accompanied by painted ceramics - black on a red or beige background.

The polychromatic ceramics in the valley of middle Struma is closely related with the com-plex of red ceramics, which is characteristic of the last phase of Damyanitza and the earliest phase of Strumsko (Pernici ieva 1992, 224-225). The painted ceramics of type Acropotamos, lo­cal variant (group A), which exhibits notable similarities with respect to clay, shapes, and

Table VIII. 1-4, 6-7. Strumsko; 5, 8. Damyanitza.

evcn motifs, to the ceramics, wc bave presented, is belonging to this complex as well (Grebska-Kulov 1994).

The polychromatic ceramics in the valley of middle Struma is undoubtedly a local product, which has appeared on the basis of foreign in­fluences. At the présent level of research it is hard to prove if it is related to the ceramics from Thessalia or Asia Minor. A fragment, found in Bulgarchevo, which reminds very much of the ceramics fiom Thessalia, could plead for this connection.

The polychromatic ceramics in the valley of middle Struma is an important chronological indicator for the end of the late Neolith and the beginning of the early Eneolith.



Références

Démoule et al. 1988



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